Escape From Modern Man - Hitchcock Guillotine Remix

by Lyres Of Ur

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dannydiess well crafted and i'm a big fan of the singers voice. amazing.

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about

A remix of the Original Lyres of Ur song by Hitchcock Guillotine.
As this unfolded, I was so amazed at how Hitchcock Guillotine was able to capture the emotion and still produce an impactful, effective, masterpiece as a byproduct.

The piano is bold and the percussion adds and relates to the tide of emotions behind this composition. I hope you all enjoy another look through a second set of pupils just as I did when I first heard he was working on this.

Im addition I have created a single 1 time release mint NFT for the original WAV (uncompressed) master file with an alternate artwork image at opensea.io/assets/ethereum/0x495f947276749ce646f68ac8c248420045cb7b5e/90629132505359986484221928686689171120585437655402520283320862666251361583105

Thank you all for listening!

lyrics

For me, it seems hopeless to weep.
Used to be able to retreat behind a wall of sleep.
No rest for the wicked so they say.
What was the number for Calgon, won't ya take me away?

Feel like I need, hair in the breeze toes in the sand.
Seem weak at the knees, need an escape from modern man.

Truly, don't wish this curse upon my worst enemy.
What works for you, don't work for me.
I have to stop you on a roll, while your logic pines sound.
Rumors spread of fruit-bearing, low-hanging trees to grab all around. Why!?

Feel like I need, hair in the breeze toes in the sand.
Seem weak at the knees need an escape from modern man.
Feel like I need, hair in the breeze toes in the sand.
Seem weak at the knees need an escape from modern man.

Feel like I need, seem weak at the knees.
From modern man...

credits

released December 23, 2021
Mike Nolen from Hitchcock Guillotine - Remix.
Eshmoon DM - Artwork.
Lou Blacksail - Original stems/tracks.
Sounds and Shadows group on Facebook - Bringing us all 3 together.

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Lyres Of Ur Portland, Oregon

Solo project: 80's-90's influenced Rock with a dash of newer influences.

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